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This review is part of our Fantasia Festival coverage. The Pitch: Jack Peter Vack is a lonely boy in the big city. He lives in a rundown apartment—the only kind anyone can afford in New York City—where his windows are duct-taped over and his day-to-day involves either bowls of Maruchan ramen or online poker games. But he also engages in BDSM scenes with a of cam girls, and one in particular has caught his eye. Enter Scarlet Julia Foxwho dominates Jack from afar, making him a human ashtray as smoke billows out from her big beautiful lips. As time ticks away and more and more money is dropped, Jack and Julia begin to connect on a deeper level, a connection that sets both parties up for twists saturdday audiences will never see coming.

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This review is part of our Fantasia Festival coverage.

The Pitch: Jack Peter Vack is a lonely boy in the big city. He lives in a rundown apartment—the only kind anyone can afford in New York City—where his windows are duct-taped over and his day-to-day involves either bowls of Maruchan ramen or online poker games.

But he also engages in BDSM scenes with a of cam girls, and one in particular has caught his eye. Enter Scarlet Julia Foxwho dominates Jack fesg afar, making him a human ashtray as smoke billows out from her big beautiful lips. As time ticks cgat and more and more money is dropped, Jack and Julia begin to connect on a deeper level, a connection that sets both parties up for twists that audiences will never see coming.

All throughout the film, Jack stalks the neon-tinted, rain-soaked streets of Chinatown, searching for rub-and-tug massage parlors to spend his gambling winnings for human contact and a few minutes of pleasure. The Sexual Tension: The sequences that feature Scarlet dominating Jack online are some of the gest earnest and honest to god sexy depictions of kink on screen. But those films still fall back on the tired trope that the characters are into kink because of trauma or some kind of emotional scar.

Story continues PVT Chat constantly surprises the audience, zigging when you expect it to zag. While the film explores situations and themes that audiences have seen countless times before, Hozie knows this and plays with audience expectations. Just when it appears Jack is slipping into a violent stage of obsession, Hozie pulls back and focuses on the relatable feelings of rejection and building someone up in your own head to be someone they never were.

It helps that Vack has a natural likability that appeals to the audience, admittedly. Fox—a vision in PVC and knee-high latex boots—brings an honesty and naturalism to the role of Scarlet, and that humanity ekes through later as she and Jack discuss their hopes, dreams, and disappointments.

Hozie perpetually sets up potential moments of violence—Jack stalking a girl he spies in a bodega who resembles Scarlet; Scarlet pulling the rug out from under Jack—which could paint satrday of lead as villains. Instead, he opts for a more human story, and what could have been an erotic thriller unfolds into a pitch black romantic comedy — one for the kinds of people who traditionally scoff at romantic comedies.

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